Inside the attack mode for often the present

Inside the attack mode for often the present

In the attack function, Nestroy was quite adept, together with, more as well as not as much manically later, other folks similar to Andrew d Handke, in his / her play Hidden the Audience, devastatingly, it would seem, calling them every single brand he could think involving, scum, viruses, monstrosities, sclerotics and syphilitics, foulmouthed ass-kissers, there, potentially dead, yet remarkably unoffended, even by way of the nonstop, incantatory, severe verbosity, as phrase upon word he is soon reversing himself. The play, of course—or what Handke called a Sprechstücke, a speak-in where you sit in, the stars advised how to tune in, typically the audience taught to be celebrities, directed from this stage—is actually a discourse on show, the constantly impossible cinema, which company accounts for the logorrhea, possibly ending representation, being a Derridean dream, praise get deconstruction! contradicting itself, experimenting along with play, structure, sign, plus play, a stage show with no pictures, pure beleaguered take up, only a world of phrases, abolishing scopophilia around a new linguistic and accoustic space, where if anyone listen closely for the looking a person hear it coming back again. blood asserts in a new prefatory note that the Sprechstücke have nothing to do together with representation, but after that he accepts the fact, with a g